Robin • Giclée Print

from £23.00
Taken from a permanent hide that I had set up in a private woodland. I used fallen branches covered with moss for the birds to land on and dropped seeds in to it. It took a while but once the birds got used to the hide they were all around. I would arrive just as the sun was coming up and spend 3 or 4 hours in there. I really enjoyed it and hope to be able to do it again sometime.

Paper options:

300gsm Heavyweight Ultimate Lustre: A premium high satin stock that gives great contrast to colour & detail.

310gsm Hahnemühle Satin Photo Rag: My favourite choice of paper for colour images. This white 100% cotton paper features the classic Photo Rag surface with a delicate felt structure and a beautifully soft feel. It's gives a beautiful sense of depth and three-dimensional quality. The depth of the blacks truly stand out and contrasts are reproduced with stunning effect. The printed areas have a soft sheen, while the unprinted areas remain matt to beautifully accentuate brilliance. Above all, Photo Rag Satin is acid and lignin-free which meet the most exacting requirements in terms of age resistance.

Printed by myself on the Canon PRO 4000 44" printer using Canon's Lucia Inks. Making my Giclée, Archival prints lightfast for 50+ years.

Print only, no frame or mount. Images are to show how the print looks in different coloured frames. The image has a white border as shown in the picture.

If you have a particular size that you would like, please get in touch to discuss.

The print is carefully wrapped in tissue paper and shipped in a reinforced cardboard tube with end caps.

PLEASE NOTE: The print may look different to what you see on your computer/device’s screen. Every screen has a number of different calibration settings that all show colours differently. Also, some settings such as contrast & saturation can be altered, thus further changing how colours are represented. Therefore, the print may not look exactly how you see it on your device. Also, the light in which a print is viewed under, such as a warm/ cool or bright/dark light also changes how the colours look on the print.
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Taken from a permanent hide that I had set up in a private woodland. I used fallen branches covered with moss for the birds to land on and dropped seeds in to it. It took a while but once the birds got used to the hide they were all around. I would arrive just as the sun was coming up and spend 3 or 4 hours in there. I really enjoyed it and hope to be able to do it again sometime.

Paper options:

300gsm Heavyweight Ultimate Lustre: A premium high satin stock that gives great contrast to colour & detail.

310gsm Hahnemühle Satin Photo Rag: My favourite choice of paper for colour images. This white 100% cotton paper features the classic Photo Rag surface with a delicate felt structure and a beautifully soft feel. It's gives a beautiful sense of depth and three-dimensional quality. The depth of the blacks truly stand out and contrasts are reproduced with stunning effect. The printed areas have a soft sheen, while the unprinted areas remain matt to beautifully accentuate brilliance. Above all, Photo Rag Satin is acid and lignin-free which meet the most exacting requirements in terms of age resistance.

Printed by myself on the Canon PRO 4000 44" printer using Canon's Lucia Inks. Making my Giclée, Archival prints lightfast for 50+ years.

Print only, no frame or mount. Images are to show how the print looks in different coloured frames. The image has a white border as shown in the picture.

If you have a particular size that you would like, please get in touch to discuss.

The print is carefully wrapped in tissue paper and shipped in a reinforced cardboard tube with end caps.

PLEASE NOTE: The print may look different to what you see on your computer/device’s screen. Every screen has a number of different calibration settings that all show colours differently. Also, some settings such as contrast & saturation can be altered, thus further changing how colours are represented. Therefore, the print may not look exactly how you see it on your device. Also, the light in which a print is viewed under, such as a warm/ cool or bright/dark light also changes how the colours look on the print.
Taken from a permanent hide that I had set up in a private woodland. I used fallen branches covered with moss for the birds to land on and dropped seeds in to it. It took a while but once the birds got used to the hide they were all around. I would arrive just as the sun was coming up and spend 3 or 4 hours in there. I really enjoyed it and hope to be able to do it again sometime.

Paper options:

300gsm Heavyweight Ultimate Lustre: A premium high satin stock that gives great contrast to colour & detail.

310gsm Hahnemühle Satin Photo Rag: My favourite choice of paper for colour images. This white 100% cotton paper features the classic Photo Rag surface with a delicate felt structure and a beautifully soft feel. It's gives a beautiful sense of depth and three-dimensional quality. The depth of the blacks truly stand out and contrasts are reproduced with stunning effect. The printed areas have a soft sheen, while the unprinted areas remain matt to beautifully accentuate brilliance. Above all, Photo Rag Satin is acid and lignin-free which meet the most exacting requirements in terms of age resistance.

Printed by myself on the Canon PRO 4000 44" printer using Canon's Lucia Inks. Making my Giclée, Archival prints lightfast for 50+ years.

Print only, no frame or mount. Images are to show how the print looks in different coloured frames. The image has a white border as shown in the picture.

If you have a particular size that you would like, please get in touch to discuss.

The print is carefully wrapped in tissue paper and shipped in a reinforced cardboard tube with end caps.

PLEASE NOTE: The print may look different to what you see on your computer/device’s screen. Every screen has a number of different calibration settings that all show colours differently. Also, some settings such as contrast & saturation can be altered, thus further changing how colours are represented. Therefore, the print may not look exactly how you see it on your device. Also, the light in which a print is viewed under, such as a warm/ cool or bright/dark light also changes how the colours look on the print.